Progress Lab Welcomes New Residents

Progress Lab from Neworld Theatre on Vimeo.

Through its 10-year history, Progress Lab 1422 (PL 1422) has organically grown from a co-location space to an interdisciplinary creative hub, supporting a wide range of artistic disciplines and creating a welcoming and generative space for artists from historically underrepresented and marginalized groups. This exceptional space has been home to the creation and realization of some of Canada’s most innovative performance works of the last ten years including Betroffenheit (named the Best Dance of the 21st Century by The Guardian), the interactive and boundary-pushing Foreign Radical, radically inclusive King Arthur’s NightThe Society for the Destitute Presents Titus Bouffonius (winner of six Jessie Awards), international touring hit Winners and Losers, amongst many others.

Building on this foundation, we are excited to be welcoming three new resident organizations: Playwrights Theatre Centre (PTC), a new-play company dedicated to reimagining theatre, rice & beans, a local theatre company interested in experimenting with languages and the theatrical form, as well as Company 605, our first resident dance company. Our new roommates start arriving this November! (more…)

Welcome to Rumble’s 2019-20 season

High Seas / Low Seas. Graphic: J. Parasram

 

Rumble Theatre is pleased to announce our current season, “High Seas / Low Seas”, which features a trio of exciting contemporary plays that explore the notion of solidarity: Take d Milk, Nah?, written and performed by Rumble’s own Artistic Director Jivesh Parasram; Good Morning, Viet Mom by Franco Nguyen; and the Canadian premiere of B by Guillermo Calderón.

“With this season’s programming we’re asking ourselves and audience members to consider what it means to stand together amidst ever-changing circumstances,” Parasram said. “How can we maintain solidarity when conditions aren’t so comfortable? Can we be a friend even when the distances between us seem infinite, or when our differences appear irreconcilable?” (more…)

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